08.01.04

If you are going to get nabbed for speeding in Chilmark, you could do worse than be stopped on the rise just west of the Allen Farm on South Road.

By Max Hart

08.01.04

Martha’s Vineyard has long attracted writers, and in recent years, a whole new school of them has been lured here.

By Laura D. Roosevelt

07.01.04

You know that if you have a home on Martha’s Vineyard, you occupy a special place in the hearts of your mainland friends – a place that coincides neatly with their weeklong summer vacations. You’ll recall it was barely springtime when the phones started ringing. “We were wondering. . . .” “Hey, what are you doing. . . .” “We had a fantastic idea! Why don’t you plan to come and visit us in the fall, but this summer, we. . . .” You’ve heard it all before, right?

By Mark Jenkins

07.01.04

It wasn’t until Thomas Hart Benton came to the Island in 1920 that he found himself, and the painting style for which he would become famous.

By Sam Low

07.01.04

On the who, what, how, and why of everyday Island life.

By Glenny Bartram

09.01.04

Thomas Hart Benton brought this essay, both an obituary and a biography of a 
dog named Jake, to the office of the Vineyard Gazette in August 1946 and asked editor Henry Beetle Hough whether he cared to publish it.

By Thomas Hart Benton

05.01.04

Rhonda and Erik Albert and their children Iris and Miles live in an old sixteen-room house in Oak Bluffs. Last year they had nearly a thousand summer guests, and this year they’d like to have more.

By Margaret Knight

05.01.04

Diary of a Menemsha campsite, summer 1908.

By Tom Dunlop

05.01.04

These are the sounds I hear on an early spring morning.

By Kate Feiffer

05.01.04

Baba Smith, Phyllis Aldrich, Sharon Smith, Sunny Wright, and Cynthia Fulton

By Brooks Robards

05.01.04

I may have been smart enough to move to Martha’s Vineyard, but now that I live here, I can’t figure out how to leave.

By Niki Patton

05.01.04

It’s springtime and the air on Martha’s Vineyard is filled with prospects of renewal, growth, and the abundance of change.

By Mark Jenkins

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